The Age – Grand Questions Swirl in this acting masterclass (Review) ★★★★

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This production is an acting masterclass…the ensemble of four performs with impressive clarity and precision, distinguishing multiple characters

He then called on the crowd to ‘stand on the shoulders of our great artists past, on the shoulders of our great women, our inspiring Indigenous, our brilliant filmmakers and technicians, and create works that debunk fear and hatred, that champion the misrepresented and unheard … We should stand on shoulders so that every other bugger may see what we stand for. You can hold my hand for balance; I’ll be on the next shoulder across.’

Daily Review – Dead Centre / Sea Wall (Review) ★★★★

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Both actors seemed to me to be faultless. As Stephens’s writing requires, Prendergast is more nakedly emotional, yet never self-indulgent. It is the kind of acting where the technique is invisible and absolutely at the service of the characters it summons up. Afterwards it occurs to you the risk that has been taken: it is theatre that demands a strong emotion from the audience and any false note on the part of the writers, the actors or the director would make the whole thing collapse.

Stage Whispers – The Flick (Review) ★★★★★

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Prendergast is such a charismatic actor that there are moments when you see him hunch the shoulders a little more, bow the head, work at hiding the charisma; in Act 2 he is simply superb, generously sublimating his power as an actor and handing the stage to Dion Mills (always powerful in his own right) in a cameo role and to guest actor Kevin Hofbauer. Four stunning performances beautifully directed in a superb play.